A free 30-day trial is available from DxO.ĭxO FilmPack 6 includes 15 new film renderings. For PhotoLab 3 and PhotoLab 4 owners, upgrade pricing is available. The Elite Edition is $164.99 instead of $219. ![]() The Essential Edition is $109.99 instead of $139. Until November 14, the software is available at a special discounted introductory price. We can't wait to hear what they think.' If you use PhotoLab 5 with Fujifilm X-Trans RAW files, DxO wants your feedback.ĭxO PhotoLab 5 is available now in Essential and Elite editions. To this end, we have created a website specifically dedicated to collecting their feedback. Our goal is to offer them the best solution available in terms of image quality. Of the new Fujifilm X-Trans support, Jean-Marc Alexia, VP Product Strategy at DxO, said, 'We are very happy to finally open our doors to the community of Fujifilm photographers. DxO modules are lab-derived and promise to automatically remove optical defects such as distortion, chromatic aberrations, vignetting and softness for specific camera and lens combinations. ![]() There are 605 new DxO modules in PhotoLab 5, plus support for eight additional new non-Fujifilm cameras, like the Canon EOS Ra, Nikon Z fc, Olympus PEN E-P7, Panasonic GH5 II, Pentax K-3 III and Sony ZV-E10. At launch, 18 Fujifilm X-Trans cameras are supported, including recent cameras like the X-E4, X-S10, X-T4 and X100V, plus many older models. Library management is also improved thanks to advanced keyword prioritization and an interactive keyword tree structure.įor the first time, DxO PhotoLab now supports Fujifilm X-Trans sensors. For example, if you adjust metadata in Lightroom, it updates nearly instantly in PhotoLab 5. PhotoLab 5 processes IPTC and EXIF data and syncs with third-party applications. It can also sync metadata changes via third-party applications.ĭxO PhotoLab is more than a photo editor. On Windows, the performance gains are still impressive, with PhotoLab 5's DeepPRIME operating about 1.5x faster.ĭxO PhotoLab 5 includes improved metadata viewing on the right side of the workspace. On Apple Silicon-equipped Macs, it is up to 4x faster than the previous iteration. DxO PhotoLab 5's implementation of DeepPRIME has undergone significant optimization. ![]() Unlike traditional RAW processing tools, which perform noise reduction and demosaicing at two separate steps, DeepPRIME uses a holistic approach to perform the tasks simultaneously, resulting in images that promise more detail and lower noise. Control Lines are like a graduated filter, but thanks to the inclusion of sensitivity settings, users retain precise control over how adjustments are applied to their photos.ĭxO DeepPRIME technology uses artificial intelligence to develop RAW image files. The new tool complements Control Points by allowing photographers to perform extensive adjustments to large areas of their photos. That may have a lot to do with my limited experience with both, and ignorance of how to get the most from them.Another new tool, brand-new to DxO software, is a new type of pointer: Control Lines. But although I've gotten some good results with FilmPack, on the whole I've found the Nik product just better / easier to get what I wanted. And I should look gift horses in the mouth, because years ago DxO made FilmPack 3 available free, and just recently they made FilmPack 5 Essential free for the asking, for a limited time (IIRC the window just closed). Generally I much prefer PhotoLab (and formerly Optics Pro) to Lightroom for everything except printing. I also have DxO FilmPack, which I also use because for years DxO has been my main raw converter-first Optics Pro in various versions, now PhotoLab. I have used a variety of techniques, but in recent times I've more often gotten results I liked with the (currently free!) former Nik / then Google / since then DxO Silver Efex Pro, using it as a plugin in Lightroom 6. Should I be using a plugin or just practice and stick with LR?
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